Detail Annual (vol. 4) by J.Kwang

By J.Kwang

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Happily the situation is not quite With the introducwas reintroduced to Eng- so obscure in the case of church building. tion of Christianity stone building land for the first time since the collapse of Romano-British fragments have come civilization and fairly substantial The 7th- and 8th-century churches to us. into fall down two geo- graphical groups, northern and southern, and although, as in the case of manuscript painting, there were differences be- tween them, they nonetheless had the same range of ideas.

The Cross of Cong (1122— 7) is a magnificent processional cross plated with bronze and covered with gilt openwork panels. Their designs are completely symmetrical. Metalwork declined in quality as monasteries ceased to be the main centers of patronage. In the late 1 2th century the Irish even resorted to importing mass- produced Limoges ware, such as the Cashel Crozier (National Museum, Dublin). Manuscripts of the period are more modest than and the usual subjects few full-page illustrations. Initials consist of and the interlace is complicated.

This drawing, in red, blue, and delicate pastel shades. resentative of (University Library, Utrecht), written line, was perhaps originally East Anglian fens. The made C980 for a and brown outmonastery in the style is sumptuously decorated with full-page pictures surrounded with lavish acanthus borders. Gold opaquely and others is in a is profusely used through- wonderful combination of richness Some of the colors were applied bold washes. Indeed the development hunched shoulders of the Virgin Mary and her tapering body balanced on diminutive feet were clearly derived from the Reims manuscript.

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