By Herbert R. Kohl
Poetry has the ability to maneuver and problem the reader. it may accentuate or maybe rejoice distress, be cynical or wry, or simply snort outright in an outrageous method. Poetry is as severe and antic as lifestyles, and but analyzing glossy poetry will be surprising to our experience of what language is or needs to be.In A Grain of Poetry, Herbert Kohl offers a sequence of guideposts to assist everybody learn poetry and detect these poems that tell and encourage them. In transparent, direct language, he covers all the essential-but frequently unchartedpaths to knowing poetry: shape and constitution, line breaks and pauses, rhythm and melody, imagery, and recitation. Written through one of many country's top educators, A Grain of Poetry is a finished and obtainable consultant for all poets, scholars, and poetry fans.
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Extra resources for A Grain of Poetry: How to Read Contemporary Poems and Make Them A Part of Your Life
Sometimes an effort or analysis is necessary; sometimes the poem speaks directly to you. Every poem does not have to be analyzed, but some poems require it. It's your choice as to the kind of reader you want to be and the effort you choose to put forth to make poetry a part of your life. It's the same thing with music-some people wonder how songs are composed, others want to read the scores and play them. Yet others want to compose their own music and learn from other composers' work, and most people just want to listen to the music.
The poet is growing and will not be tied to her past or captured by other people's assessment of work she has already done. She is flowing out in many directions. Here's a very different poem, but one that also uses flowing water as an image, by William Stafford. Read it and, in this case, pay attention not merely to the line breaks and sounds, but to the adjectives and adverbs and the way in which they intensify the poem's impression. In Hurricane Canyon After we talked, after the moon rose, before we went to bed, we sat quietly.
Snodgrass: Owls -for Camille Wait; the great horned owls Calling from the wood's edge; listen. There: the dark male, low And booming, tremoring the whole valley. There: the female, resolving, answering High and clear, restoring silence. The chilly woods draw in Their breath, slow, waiting, and now both Sound out together, close to harmony. Rhythm and Melody 83 These are the year's worst nights. Ice glazed on the top boughs, Old snow deep on the ground, Snow in the red-tailed hawks' Nests they take for their own.